beyond-the-canvas:

Rene Magritte, The Evening Gown. 1954, oil on canvas. Private collection.

poietike:

Gina Pane Azione sentimentale. Particolare, 1973. (via)

(via crowbones)

likeafieldmouse:

Andreas Zingerle
likeafieldmouse:

Andreas Zingerle
likeafieldmouse:

Andreas Zingerle
likeafieldmouse:

Andreas Zingerle
likeafieldmouse:

Andreas Zingerle

amy-ambrosio:

Antonina Vasylchenko at Christian Dior Haute Couture FALL 2014, makeup by Peter Philip.

(via amy-ambrosio)

englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
englishsnow:

Thomas Bavington
maihudson:

Lars Englund, Volume, 1964-67 ” Lars Englund creates intricate meetings between the actual work and the surrounding space in which the relation between work and the space is as important as the work itself. A subtle interplay between the inner and outer spatiality arises. The sculptures have such an inherent power that, despite their delicate appearance they fill every void. With no clear beginning or definite end Englund’s sculptures defines and shapes the surrounding room. “→

maihudson:

Lars Englund, Volume, 1964-67

 ” Lars Englund creates intricate meetings between the actual work and the surrounding space in which the relation between work and the space is as important as the work itself. A subtle interplay between the inner and outer spatiality arises. The sculptures have such an inherent power that, despite their delicate appearance they fill every void. With no clear beginning or definite end Englund’s sculptures defines and shapes the surrounding room. “

(via lafilleblanc)

inthemoodtodissolveinthesky:

Robert Mapplethorpe in front of his cover for Patti Smith’s Horses, 1975 ca.